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Here's the story: an artist is fascinated by falling . He takes pictures of himself falling off different things: ladders, trees, buildi...
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He's been around for a while. In 2002, for instance, he made the world a better place by putting flags on high-tension electricity lines...
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If you want to know what Tim Crouch's An Oak Tree is about, and what it is like, first read his own description . You can also read the...
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Truly great art has the strange effect of making us, the spectators, feel intelligent. - António Damasio , director of the department of neu...
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Exactitudes (= exact attitudes), by photographer Ari Versluis and stylist Ellie Uyttenbroek, is an exercise in style (or rather was, from ...
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This house which is almost gone. Which still has the lines and weight of a house, yet could very well be called landscape. This house which ...
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Just so you don't think I'm ignoring you - check out some great projects by Marc Kremers : As found , a site with images found on th...
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In a comment in the Portuguese daily newspaper Público , my colleague Tiago Bartolomeu Costa commented on a controversial artistic residency...
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Brick of Coke is part of the Experience the Experience project by Monochrom ( from the site : monochrom is an art-technology-philosophy gr...
Sunday, 9 March 2008
Hendrik Kerstens: The distant view of the other
Published :
12:14
Author :
ekkii
Hendrik Kerstens is one of those artists who have managed to develop a career seemingly concentrating on one subject throughout the years. In his case, the model has been his daughter Paula. How different is she as a subject because of being his daughter? Not very. Which is as powerful a revelation as any. After all, one would expect some closeness, some special insight. Nothing of the sort. What we get is a serious young lady, as serious now as she was on the pictures being only a few years old. A gaze that refuses to talk. Our only partner in dialogue seems to be the light that paints the face gently, yet at least on surface, without the love one would expect. We see all the Vermeers and other 17th-century Flemish painters participate in this creation, yet this, here, is darker, less inviting. It doesn't pretend that something can come out of this encounter. Nothing more than a picture, a gaze, a world that is forever there, for us to admire, but not to discover.
Saturday, 8 March 2008
Valentine's
Published :
07:30
Author :
ekkii
I found this at Happy Famous Artists. It was dated February 14. How come this seems fine on Valentine's Day, but has something offensive about it today?
Maybe it's because VD is for the individual, while today is for the group. And so, today it implies that this is the value I find important in a woman. While on February 14, it is about this one individual being gorgeous. Yet, isn't there something disturbing even about this appearing on Valentine's? The fact that what we celebrate is beauty?
Beauty. Can't live with it, but would have a hard time ignoring it either.
Maybe it's because VD is for the individual, while today is for the group. And so, today it implies that this is the value I find important in a woman. While on February 14, it is about this one individual being gorgeous. Yet, isn't there something disturbing even about this appearing on Valentine's? The fact that what we celebrate is beauty?
Beauty. Can't live with it, but would have a hard time ignoring it either.
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